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Jody Linscott has worked with a number of well-known musicians, including Jaki Graham, Dido, Elton John, The Who, Mike Oldfield, Billy Bragg, Eric Clapton, Phil Collins, David Gilmour (Pink Floyd), Roger Daltrey, Ray Davies, John Entwistle, John Wesley Harding, Kokomo, Stevie Wonder, Patti La Belle, Nils Lofgren, John Mayall, Robert Palmer, Pet Shop Boys, Simon Phillips, David Sanborn, Pete Townshend, Jay-Z, Avril Lavigne, Tom Jones, Daryl Hall, Atomic Kitten, Blue, Bryan Adams, Don Henley, The Bee Gees, The Clash, Billy Squier, Santana, Snowy White, Paul Mc Cartney, Hamish Stuart, Sam Brown, Joan Armatrading, The Waterboys, Bryan Ferry, Take That, Natasha Bedingfield, Will Young, John Hall and Swing Out Sister.
Linscott has toured as percussionist for The Who, David Gilmour and Elton John.
Linscott built her own percussion rack for the tour to provide a variety of creative sounds, and toured with Palmer in America for about two years.
Afterward she went on to work with a number of other prominent professional groups and musicians.
Osborne's "tribe" includes an assortment of eccentric rich kids, servants, and village idiots among whom Finn will find himself part of his own anthropological study.
Will his experience with Dad's films help him survive life as a visitor to this tribe? Or will he be seen as an outsider, concurrently struggling with his own identity as an adolescent?
Meet Finn Earl (Anton Yelchin), 15, whose father is absent. But he sees him and hears him via the collection of home movies sent from South America.
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The class instructor, a visitor from Africa who was associated with the British Consulate, recognized her as a natural talent and offered to give her private lessons.Such is the stuff of fairy tales, and I suppose this would be if not for the dark underbelly which director Griffin Dunne and writer Dirk Wittenborn have infused into this magnificent story.
